Desk

Abraham Roentgen, c. 1758 - c. 1760

This desk has numerous hidden compartments and drawers and even includes a folding kneeling bench. It was made for Johann Philipp von Walderdorff, Archbishop and Elector of Trier, and is embellished at the top with his portrait and coat of arms. This desk is the greatest showpiece ever made by Abraham Roentgen – the most famous German cabinetmaker of his time.

  • Artwork typedesk, bureau table
  • Object numberBK-16676
  • Dimensionsheight 148.5 cm x width 110 cm x depth 58.5 cm, width 110 cm x depth 58.5 cm
  • Physical characteristicseiken-, esdoorn- en notenhout, belijmd met diverse houtsoorten, schildpad, zilver, parelmoer, koper, ivoor, verguld brons

Identification

  • Title(s)

    Desk

  • Object type

  • Object number

    BK-16676

  • Description

    Bureau op S-vormige poten, versierd met marqueterie in meerdere materialen. De geschulpte voor-en zijkanten van het onderstel dragen figuratieve marqueteriepanelen, evenals de zijkanten van het bovenstel en de velden van het centrale opzetstuk. Op het schrijfblad is een troonzaal vol verwijzingen naar de keurvorst van Trier afgebeeld, waaronder de initialen I.P.C. Het middenveld aan de voorkant van het onderstel ligt hoger dan de zijvelden. Overdadig versierde lijsten en ornamenten in marqueterie en beslag.

  • Inscriptions / marks

    • monogram: ‘JPC’
    • inscription: ‘Wer rdlich denckdt undt // freundscft häldt, verdiendt // Den gess der Weldt’
    • circumscription: ‘IOAN.PHILIP.D.G.ARCHIEPISTREVIR.S.R.I.PRIN.ELECT.ADMIN.PRUM.P.P.’
    • inscription: ‘ALL: // GLOR:’

Creation

  • Creation

    furniture maker (person): Abraham Roentgen, Neuwied

  • Dating

    c. 1758 - c. 1760

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Material and technique

  • Physical description

    eiken-, esdoorn- en notenhout, belijmd met diverse houtsoorten, schildpad, zilver, parelmoer, koper, ivoor, verguld brons

  • Dimensions

    • height 148.5 cm x width 110 cm x depth 58.5 cm
    • width 110 cm x depth 58.5 cm

This work is about

  • Person

  • Subject


Acquisition and rights

  • Copyright

  • Provenance

    …; collection Hannah Mathilde Freifrau von Rothschild (1832-1924), Grüneburg, Frankfurt am Main;{Von Falke 1936, p. 347, no. Mo.75.}; her grandson Albert Maximilian von Goldschmidt-Rothschild (1843-1940), Berlin and Frankfurt am Main, 1927, 1928{Note RMA, letter and photo, Nadine von Mauthner (daughter of Albert Maxmilian von Goldschmidt-Rothschild to the museum, 13 March 2004; Feulner 1927, p. 543, image 452.; Huth 1928, Plate 6.} …; collection Dr Fritz Mannheimer (1890-1939), Amsterdam and Paris, probably before 1934, 1936;{NHA, 476, RMA Archive, inv. no. 2142, Recapitulatie der geïnventariseerde kunstvoorwerpen van wijlen Dr F. Mannheimer, undated, p. 9, no. Por 108, with note ‘oud bezit buiten Artistic gehouden’; Von Falke 1936, p. 288, no. Po. 111.} purchased from his estate, en bloc, by the Dienststelle Mühlmann, The Hague, for Adolf Hitler's Führermuseum, Linz, 1940;{Korthals Altes 1974, pp. 21-22.} war recuperation, SNK, 1945;{HNA, SNK Archive, 2.08.42, inv. no. 548.} on loan, with xx other objects, from the DRVK to the museum, 1952;{Note RMA.} transferred to the museum, 1960

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


Documentation

    • A. Feulner, 'Frühwerke von David Roentgen", Münchener Jahrbuch der bildenden Kunst N.F. 1 (1924), p. 276, 278, afb. 1.
    • Inzoomer object op zaal, 2013 (Nederlands/English).

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